|
|
|
Blue from the Indigo plant
Our Bangladesh
collections demonstrate the rich blue achieved from the
Indigo plant. The leaves are soaked in water for several
hours until compounds from them collect in the water. The
leaves are removed and the water whisked exposing it to the
air, this forms the indigo residue which is then used for
dyeing and printing. This is an environmentally friendly
process as the plants require little maintenance and are
often used to revitalize soil between crops. The soaked
leaves are also sold on as an organic fertilizer.
Some blues in the Chandni Chowk collections are made using
‘Nature identical’ indigo. |
| |
|
|
|
|
Yellow from Turmeric and Pomegranate
Yellow dye can be made by
boiling the shells of the pomegranate for 48 hours, the liquid
is strained and mixed with ground Turmeric in a copper pot.
The Hindi word for Turmeric is Haldi, and is often used as a
food spice. Turmeric provides a strong dye either with or
without the Pomegranate, it is often used in conjunction with
other dyes such as Indigo to produce a green, or with Madder
root to achieve a rust/orange. |
| |
|
|
|
|
|
Green from
Turmeric, Pomegranate
and
Indigo
Turmeric and Pomegranate
are used to create yellow dyes which are often used over the
top of an Indigo dyed or printed fabric resulting in an
overall green effect. The yellow dyes are light sensitive and
over time your green fabric will become more and more blue
(indigo is far more stable) with successive washing and
wearing, as the indigo remains but the yellow dyes begin to
loose their strength. |
| |
|
|
|
|
|
Red from Alum and Alizarine
Alizarine commonly comes
from the dried root of the madder plant (though other roots
are also used). The Alum (a metal compound) which acts as a
mordant is first printed onto the fabric as a colourless
paste. When this is immersed into a vat of Alizarine the 2
compounds react with each other and turn red. |
| |
|
|
|
|
|
Black from Iron, Sugar and Alum
Rusted Iron (often from
old horse shoes) is soaked in a mix of sugar solution (sugar
from molasses) and a flour made from Tamarind seed. This is
left to ferment in the sun for a week to 15 days. The
resulting paste produces a rich black, quite different from
that made from chemical dyes. |
|
|
|
|
|
|
|
The Dying Process
 |
|
 |
|
 |
|
 |
|
The
equipment |
|
The Dye Bath |
|
Washing |
|
Drying |
|